Macon GA Jazzplex
Upon entering the building it’s immediately apparent that the local population – who could supposedly be thanked for it’s non-out-of-business status – have the right idea. There were about 10 old trumpets, saxes and trombones nailed to the walls in between soft focused and blacklight –friendly posters of instruments with slogans like “true love” and “precious metal” in block letters. Some of the framed pictures had the instruments arranged with roses and greens, or with ladders and open gallons of paint. The tables were completely random sizes and shapes and I imagine that anything that could hold a couple drinks off the floor without immediately tipping over was considered a place to sit. There were several outdoor umbrellas opened in the middle of the room whose only purpose must be to shade patrons from the rope lighting and PBR signs that grace the ceiling. Above the bar were plastered several wicker beach mats to frame a few posters of Bob Marley and Milies Davis. The bandstand was at the far end of the store, it is a typical storefront set up approximately 25 feet wide and 40 feet long. The bandstand easily accommodates 7 musicians about a foot off the floor. There were publicity posters from events in Macon, all from several years ago, suggesting that this remained the only game in town.
As the place was quite full and we were a group of 6, and this is the south, there was much hubbub as we entered. My companions and I were the only ones not wearing black turtleneck shirts, gold chains, sunglasses, hackney caps and tan blazers. The gay boys behind the desk at the Ramada didn’t tell us there was a dress code. Despite our lack of coordination with the locals (there were other key features that would have been harder to hide than the wrong color shirt), we were accommodated by much effort to move seats and tables around so that we might sight together. First a woman sort of motioned us to join at her round table in the middle, which had 2 empty seats. She was drinking a margarita with salt out of a pilsener glass, which scared me enough that I hesitated and moved toward a table against the mirrored wall to her right. One of our lot had already sat at a miniature table against the half wall separating the bar from the guests, to her right. Now we were taking up the most space possible and this woman really wanted us to sit with her or together, not surrounding her. So she started to move her table towards me and my table, probably to then abandon it for the miniature table across the way once creating the ideal 6 person table . But simultaneously the doorman was getting some folding chairs to place at the woman’s round table, assuming we were all together. So then the round table goes back in the middle and the folding chairs placed near it. By this time the band had started again. To make us more comfortable, and seeing that the margarita woman had a companion herself, this guy then took the table from the mirrored wall and moved it to the middle, so our supposed group of 8 were all together. And then, in a final awkward decision, we moved all the tables back to where they were at first and the woman and her companion took the seats by the wall and our one stayed at the mini table, with 5 of us at the round table in the middle, where it all began.
The two women looked really nice and appeared a bit older than me so I was interested in talking to them at some point but we had now gone to such lengths to provide separate but equal seating for each other that it just will have to wait. What impressed me the most about the occupants of the Jazzplex was that they were largely middle aged and jovial but the yuppie tide had not a single microbrew or glass accent light in the place. The bartender made not a move to describe the choices when I asked his slightly hunched sagging face what beers he had. This was a true dive bar with music. If there’s a hole in the wall there is a supply of wicker beach mats behind the bar to paper over it. There were happy birthday signs for the bartender over the stage and the bar, his 75th. The band was a 6 piece called the Southern Art Ensemble and they know something about wearing black suits . One number featured two tambourines at once, and there was not even a hint of “oh, I’m the first tambourinist, listen to me!” about it.


